If you were a fan of the New Adult Contemporary format that preceded smooth jazz, you will love Jazz Pulse, the regular program put together by Sean Miller. Like that classic radio format, Jazz Pulse isn’t stuck on a particular, calculated sound. Sean goes pulls music from all different areas of contemporary jazz: acid jazz, funk-jazz, jam bands, NAC vocalists, and more. It’s an eclectic show.
On this week’s show: Garaj Mahal, the Pat Metheny Group, Cassandra Wilson, Brooklyn Funk Essentials, Robert Walter, Richard Elliot, Candy Dulfer, and more! You can view the full playlist of the show on MySpace.
There’s a handful of DVD and Blu-ray releases coming out this summer that jazz fans might be interested in. A Blu-ray version of Jamiroquai’s excellent 2003 Live at Montreux is on its way. New Morning concerts by Yellowjackets and Mike Stern are coming out on both DVD and Blu-ray. Go through the carousel below to see what else you can expect!
ContemporaryJazz.com Radio plays nu jazz, acid jazz, remixed jazz, jazzy house, dancefloor jazz, and other groove jazz styles. It’s online all the time and is free (with ads) or you can purchase a VIP package for commercial free listening and other benefits.
See the embedded spreadsheet below for the most recent adds to the playlist. The spreadsheet contains the artist, track, album title, and links to how to buy the recording (CD and/or high-quality, DRM-free MP3 download) through Amazon.com. Buying through those links benefits ContemporaryJazz.com. Click here for a full screen version.
It’s hard to believe Michael Jackson is dead at the age of 50. I always imagined him having a comeback of sorts. A time when he rose above all the weirdness and rumors and reminded us why he was on top in the 80s. I just thought he had more to contribute. A last chapter on a high note.
From Herbie Hancock:
This is an unbelievable tragedy, first of all for his family, for his devout fans, for the world of music and for the world of culture. Michael was one of the most diligent creators. His passion flowed through every pore of his being. His sense of invention was unparalleled. Who else could have thought of the moonwalk and who else could have created such a unique sense of movement in dance. His contribution to music and music videos; Off the Wall, Thriller, We are the World are expressions of his consummate talent. Above all his compassion for serving humanity and desire to uplift and encourage excellence are etched in his legacy.
He changed the world.
From Quincy Jones:
For Michael to be taken away from us so suddenly at such a young age, I just don’t have the words. He was the consummate entertainer and his contributions and legacy will be felt upon the world forever. I’ve lost my little brother today, and part of my soul has gone with him.
I’ve been a fan of Hiroshima for a long time. I love contemporary jazz. I love Japanese arts, culture, and society. It’s been a natural fit. I’ve been recommending The Best of Hiroshima compilation for a long time. It’s been the best compilation of their music from their earlier recordings. It’s also been their only compilation…until now. The band is celebrating 30 years in the recording industry with a retrospective called Legacy. Legacy is eleven of the band’s more familiar songs from their first decade, re-recorded by the band’s current lineup. Led by founders Dan Kuramoto (on saxophone) and June Kuramoto (on koto), Legacy reminds you how their East Meets West sound became so popular (two of their first five records went gold). The songs are nicely balanced between faithful renditions and reworked versions that sound like what they might have created for live performances. I don’t know if Hiroshima’s old label is keeping Best of Hiroshima in circulation so I’m happy the band included some original arrangements. Tracks like “Turning Point,” “Thousand Cranes,” “One Wish,” and “I’ve Been Here Before” stand the test of time. The updated, extended version of “Another Place” works for me. “Hawaiian Electric” stays a little too familiar at first (the 80s keyboard sound could have been left behind) then goes salsa. Appropriately omnipresent is June, who plays the koto as beautifully as ever.
Dan Kuramoto sums up Legacy best: “I would like to think that there’s a heart and a voice within this music that doesn’t go out of style,” he says. “These songs are as fresh and meaningful to us today as they were the first time they were recorded. They’re not of a particular genre. They are our musical heart. They shift gears from Japanese to jazz to salsa to R&B and beyond. Throughout each piece, you can hear the echoes of all the experiences that have influenced us along the way.”
Look for Legacy from Hiroshima out on August 18 on the Heads Up label.
In unsurprising but still disheartening news, JazzTimes has stopped publishing. According to the web site, print publishing will resume when a sale is closed. In today’s economy and with information being instantly available online, I don’t know how any niche magazines or newspapers are able to keep going. I’m especially baffled by Jazziz, whose high price is for a sampler CD? Who is paying for a sampler CD when you can sample full-length tracks on sites like Lala? Oops – just read that Jazziz is now quarterly. Their web site has its subscription link disabled. Will the venerable Down Beat (celebrating 75 years of publication!) be the last magazine standing?
Sadly, JazzTimes has stiffed some contributors. Howard Mandel wrote about this today. Here’s hoping those writers and photographers will be able to get their pay.
I started a discussion on jazz magazines last October. Feel free to drop by The Forum and share your thoughts.
Four musicians, each from a different country, got together to record music in NYC in April. The thing is: they didn’t write any music. They improvised everything. This isn’t like some of the free jazz I’ve heard. It’s modern. It’s got my interest. Check out the teaser below. I think you’ll want to learn more too.
You’ve read a bit about it and heard cuts from it. Now you can win your own copy of the new live recording by the Gary Burton Quartet (Burton, Pat Metheny, Steve Swallow, and Antonio Sanchez)! I’ve got three CDs to give away. Just post a comment below! Don’t forget to include an email address for me to contact you for a mailing address if you’re a winner. This contest ends ended June 5. Good luck!
In the early 1970s, the Gary Burton Quartet, which included bassist Steve Swallow, added a 19-year old guitarist to the group. His name was Pat Metheny. Those three gentlemen reunited a couple of years ago, along with drummer Antonio Sanchez, and one of their performances was recorded for the release out today. Quartet Live! is four all-star musicians playing compositions by Metheny, Swallow, Burton, Chick Corea, Keith Jarrett, Carla Bley, and Duke Ellington. It goes without saying that this is good music.
Check out a couple of tracks from it (Windows Media Player required):
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You’ve read a bit about it and 
MP3
